Aaron Aardvark and I sat down for the yearly performance review.
“And what can I, as a writer,” I said, preparing myself for the worst, “do to make your experience as a protagonist more enriching, more rewarding?”
Aaron heaved a heavy sigh and twisted his forehead into a mass of horizontal worry lines. “For starters,” he said, speaking each word as if a separate sentence, “get rid of that awful Fat Boy character.”
Hmm, I hadn’t thought about that possibility. But didn’t Aaron need to have a sidekick?
“I don’t need to have a sidekick,” Aaron said. “I work best on my own. You know that. I’m a loner and I don’t want to have any companions on my time trips.”
Ah, yes – but that’s good! That’s the problem with Aaron, he’s too self-centered, too much the narcissist. He needs to share the spotlight.
“Good,” I said, “then the conflict and tension in the plot are high, aren’t they?”
“But I don’t like it! And I don’t like all the nonsense about bisexual this, bisexual that. Make me straight or make me gay … but don’t keep leading me around from bedroom to bedroom.”
“But aren’t you having a good time, Aaron? Don’t you like eating Jeffrey while you’re thrusting into Cindy?”
“Oh, I guess, but a little variety, please. Cindy’s as boring as cardboard and Jeffrey, well, he’s kind of hot, I guess … I love his furry chest.”
“I knew it!” I said, reaching clarity. “No more women for you. You’re as gay as the three dollar bill.”
“And that’s another thing. You have an annoying weakness for clichés. Stop writing them!”
“Okay, we’re done here. Back to the book you go! Until the next Daily Write Round Robin, you’re in hibernation.”
“No!” Aaron said. “Don’t do that – please …”
Too late! Until February, then. Happy holidays, everyone.